Annie Leibovitz: The Early Years, 1970-1983 (25 Aug 2018)
For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.The catalogue to an installation at the LUMA Foundation in Arles, Annie Leibovitz: The Early Years, 1970-1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road-the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.
Great English Interiors (3 Sep 2018)
Famed photographer Derry Moore and renowned interior designer David Mlinaric offer a panoramic tour inside some of Britain’s finest manor houses, halls, castles, and public buildings. Bridging five centuries, this lavishly illustrated book looks at houses such as Haddon Hall, Chastleton, and Knole, each with superb examples of Tudor and Stuart interiors. Including Houghton Hall from the 18th-century and Waddesdon Manor from the 19th-century, the book continues into the 20th century to feature the homes of such influential figures as Nancy Lancaster, Pauline de Rothschild, and David Hicks, guiding readers through the finest examples of English interior design. The work of British masters including Inigo Jones, William Kent, and Robert Adam is beautifully portrayed in striking photographs while complementary essays enlighten readers on the events and personalities that lend each site cultural significance. Anglophiles, armchair tourists, and lovers of grand interiors will enjoy these gorgeous photographs while discovering more about the designers, architects, and trends that have made British style so alluring and enduring over the centuries.
Alright Darling?: The Contemporary Drag Scene by Greg Bailey (15 Oct 2018)
Alright Darling? is a visual celebration of the uninhibited, unapologetic and unafraid wonderland world of contemporary drag. Showcasing the world’s fiercest and most famous drag queens, along with their wild fashion―and the wit, realness, backstage antics and outrageous shade of drag culture―the book includes fresh shots of all the ringleaders of this wild world, including:
Adore Delano, Alyssa Edwards, Courtney Act, Detox, Francois Sagat, Manila Luzon, Sharon Needles, Trixie Mattel, Willam Belli, Latrice Royale, Bob the Drag Queen, Raja Gemini, Milk and many, many more…
All images are taken by Greg Bailey, founder and editor of Alright Darling – the zine at the centre of the recent explosion of drag.
Point of View: Me, New York City and the Punk Scene by Chris Stein (16 Oct 2018)
For the duration of the 1970s – from his days as a student at the School of Visual Arts through the foundation of the era-defining New Wave-band Blondie and his subsequent reign as epicentre of punk’s golden age – Chris Stein kept an unrivalled photographic record of the downtown New York City scene. Following in the footsteps of the successful book Negative, this spectacular new book presents a more personal and more visceral collection of Stein’s photographs of the era. Focusing on a single decade in Stein’s own world, the images presented here take readers from self-portraits in his run-down East-Village apartment to candid photographs of pop-cultural icons of the time and evocative shots of New York City streetscapes in all their most longed-for romance and dereliction. An eclectic cast of cultural characters – from Richard Hell and William Burroughs to Joan Jett, Debbie Harry, Andy Warhol, and Stephen Sprouse – appear here exactly as they were in the day, juxtaposed with children playing hopscotch on torn-down blocks, riding the graffiti-ridden subway, or cruising the burgeoning clubs of the Bowery. At once a chronicle of one music icon’s life among his punk and New-Wave heroes and peers, and a love letter to the city that was the backdrop and inspiration for those scenes, P.O.V. transports us to another place and time.
Hip-Hop at the End of the World: The Photography of Ernie Paniccoli (2 Oct 2018)
Filled with more than 250 images of artists including Ice Cube, The Notorious B.I.G., LL Cool J, Naughty by Nature, Public Enemy, 50 Cent, N.W.A, Snoop Dogg, Lil’ Kim, Flavor Flav, Lauren Hill, Queen Latifah, TLC, Sean Combs, many that have never before been published, this book is set to become the new hip-hop photography bible.
With exclusive, behind-the-scenes access, preeminent photographer Brother Ernie captures the last four decades of the evolution of hip-hop–the styles that grew from it, and the artists who shaped it. Complete with Brother Ernie’s personal anecdotes of time spent with subjects, and stories behind the photographs, Hip-Hop at the End of the World shares intimate moments from the most important era of hip-hop.
After picking up a camera in the 1973 to document the graffiti art that dominated New York City, Ernest Paniccioli started his journey of whole-heartedly capturing the scene during the most fertile years of hip-hop. Always armed with a 35mm camera, he successfully photographed nearly every rapper of note since the genre’s inception, making him the go-to photographer for magazines like Word Up and Rap Masters. Hip Hop at the End of the World is a carefully curated selection of photographs from Brother Ernie’s extensive archives, celebrating over 40 years of swag in one of the most complete records of the most crucial movements in American music.